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LIKE FIGHTING A SPECTER

by Iron Hox

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1.
PRESS ON 03:40
he told me life would be hard and long said it like a curse but I choose to see it more like a warning the deeper I go along my path, the more knotted and tangled it gets glimpses of light peek out from amongst the branches but the road remains obscured and gets more so every day in my travels, I meet radiant strangers they bolster my courage and for a while, we might become traveling partners see each other through the perils see each other- keep watch sometimes they stay for years, others for months the path is no less labyrinthine but it helps to have someone there vigilant on your behalf steadfast, watching for danger and illuminating the beauty of what surrounds you even as it threatens to engulf you like the sea he told me life would be hard and long and it is a knotted and tangled mess but I have been warned and I still press onward I still press onward I still press on.
2.
PHANTASM 05:03
3.
LASH 03:37
chest open, heart splayed i won't fight to make you stay ribs cracking, bitter cage and i'll cope with whatever you might say we didn't used to be like this you were there when i was crushed on the floor of my apartment i wept, you heard your voice was enough (your voice was enough) exhausted and angry and broken i have no more to give through the nods and kind words i know you won't listen and we'll be back and we'll be back here again again and again and again (we didn't used to be like this you were there when I was crushed, crushed on the floor of my apartment on the floor of my apartment your voice your voice was enough, your voice was enough) i don't know how to talk to you i don't know what to say i don't know what else i can do that i haven't already chest open, heart splayed i can't fight, i can't fight anymore to make you stay ribs cracking, bitter cage bitter water, bitter taste i won't fight to make you stay ribs cracking, bitter cage and i really don't know what else to say ribs crack, bitter cage and i'll cope with whatever you might say (say).
4.
compress it (leave it to you to) package it trim the edges so it will fit label it down narrow it down crush it down to powder pulverize it piecemeal bit by bit so you don't choke bit by bit so you don't choke i'm not gonna compress myself for you package and compress myself for you so much effort so much effort to compress myself for you (for you) so much effort compress it package it trim the edges, it will fit label it narrow it down crush it down to powder pulverize it piecemeal (how about you explain your whole life) bit by bit so you don't choke bit by bit so you don't choke (how about you explain your whole life right now)
5.
SPLIT SELF 03:26
6.
OVERFLOW 02:42
7.
VERGE 02:40
8.
fed up and strung out the last footholds crumble one by one adrift in a black rainbow torn ligaments guiding down and down skeletal gateway opens like a mouth and the urge to inhale its fumes rushes me why not? adrift in spotted hell devils look like you and you and you tearing life off withered bones eating violet refuse how quickly i saw it unfold how insidious those thoughts that follow i thrash in the wilderness and snarl at threadbare hands aching sobs wrack my body when i'm left be behind this ageless, impenetrable wall i bite my tongue bloody i lift my teeth for a single moment and ruin seems to follow sew my feet to the earth so i don't fall i won't fall, i'll never collapse again i'll be a statue of flesh posed battle ready for eternity outlive the brutality at all costs starved for the calm after years gone by in a day as i take blow after blow no perfect endings, time creaks on again and again relentless progression and even so after i am old and gone for the rest of the world skeletal gateway opens like a mouth i inhale its fumes and am at ease for a moment just staring into it i disappear in a vibrating cloud for a second and i am free i see your face in dreamlike colors and feel your lips on mine and i am safe cling to my security like a drowning woman i don't recognize it all the time but right now i am solid and my stitches aren't bleeding anymore standing, statue of flesh, posed battle ready until it passes and i can take one more step.
9.
HELD 05:51
(crying in your arms bright and burning pain shaking uncontrollably nails dug into my legs) crying in your arms i felt a bright and burning pain my hands were shaking uncontrollably nails dug into my legs (into my legs) i wanted more than anything to just make it go away but the thoughts that sliced so surgically made clear that they would stay just for now (it's just for now) it's just for now but you held me the whole time as i sobbed and declined but you held me the whole time as i sobbed and declined can't be helped sometimes it can't be helped when I crumble and fade and fade and fade (I'll settle for some nicotine and light my head aflame) i miss them, ah don't miss them, ah i miss them, ah don't miss them, ah but you held me the whole time as i sobbed and declined but you held me the whole time as i sobbed and declined.
10.

about

LIKE FIGHTING A SPECTER took a lot out of me. My computer died completely shortly after the release of Overgrowth and for the first time in 7 years, I did not have any familiar means of writing and releasing music. I always thought that if I lost my ability to create music for any reason that I would just pick up a new medium and dig into it with as much fervor as I have with production. Apparently that is not the case. I tried a few new methods of artmaking but lost interest quickly after I began them. Turns out nothing scratches the itch like music and in the months without it, I felt like a large part of my ability to fully process my experiences and engage with such a dominant passion in my life was absent.

When I was finally able to buy a new computer and begin producing again, the creative process felt awkward and unfamiliar. I had access to a shiny new UI and all of the tools that came with it but everything I made felt so lackluster. I spent days working on tracks where I usually spent hours and grew more and more angry at my art. Not only was I barely able to make complete songs but what finished ideas I was able to eke out didn't even feel cathartic anymore. Sometimes I felt like I was trying way too hard and others not nearly enough. For a while there I felt like I had lost my touch completely. Like my ability to make anything that really dug to the root of my experiences had left me.

But I kept hacking at it, deconstructing and rebuilding over and over hoping that in the tens of iterations I was making of single tracks, one would finally click. I absolutely needed to make something out of the hopelessly complicated feelings I have towards the drastic shifts in or outright loss of relationships as I came out last year alongside my increasing fear, rage, and sadness seeing more trans rights stripped away bill by bill as anti-queer rhetoric continues to proliferate wildly. More months went by with nothing to show for it until finally, in a state of burning-like-hellfire exhaustion, LASH finally came into being as it is on the album. It set the tone for how I would go forward fleshing out this project: intense frustration, ceaseless effort and failure to capture it in sound, cathartic breakthrough, and finally, some kind of peace.

However laborious, I am incredibly proud of what I was able to create. This project, like every one that came before it in the last year, feels like another big development in my ability as a producer. My sound has evolved into something more vividly expressive than I could have imagined I was capable of when I started and I am slowly learning to embrace life's inherent instability, honing it into pieces that feel viscerally in tune with my emotions. Art is not a substitute for dealing with pain but it does make my experiences feel more purposeful. At the end of the day, sharing pieces of my life and self through art - however agonizingly vulnerable - makes me feel less alone. I hope this album can do the same for whoever finds it.

Much love,
Rinne

credits

released May 5, 2024

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Iron Hox Denver, Colorado

Overgrown Electronica.

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